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ufa serial drama logo

After the Red Army occupied the UFA complex in 1945 in Babelsberg, and after the privatization of Bavaria and UFA in 1956 in West-Germany, the company was restructured to form Universum Film AG and taken over by a consortium of banks. All worldwide production activities of the RTL Group are consolidated in FremantleMedia, and UFA is the holding company of all FremantleMedia's production activities in Germany. Prior to establishing the company, the General Staff had initially considered taking over the Deutsche Lichtbild-Gesellschaft [de] e. V. (DLG), which had been founded in 1916. The first film made by Universum-Film AG, a short documentary film called Am Seidenen Faden, came out in 1955. A bank consortium led by Deutsche Bank was behind the founding of the new Universum-Film AG, whose production facilities included the Afifa-Kopierwerk and the ateliers in Berlin-Tempelhof. Check to enable permanent hiding of message bar and refuse all cookies if you do not opt in. [n 1]. Weitere Informationen zu Cookies erhalten Sie in unserer Datenschutzerklärung. In March 1927, with the company facing bankruptcy, Alfred Hugenberg – Chairman of the German National People's Party and owner of the Scherl-Gruppe, a powerful media corporation – bought the company. Wir können Cookies anfordern, die auf Ihrem Gerät eingestellt werden. Les studios UFA connurent leur heure de gloire dans les années 1920 et 1930. In 1923, after Decla-Bioscop AG and others were taken over, Erich Pommer became head of all production operations and discovered and fostered many stars, including Emil Jannings, Pola Negri, Conrad Veidt and Lya de Putti. Originaldatei ‎(SVG-Datei, Basisgröße: 1.024 × 525 Pixel, Dateigröße: 5 KB), العربية | беларуская (тарашкевіца)‎ | български | català | dansk | Deutsch | English | Esperanto | español | فارسی | suomi | français | galego | עברית | hrvatski | magyar | Bahasa Indonesia | Ido | italiano | 日本語 | 한국어 | Кыргызча | македонски | മലയാളം | मराठी | Bahasa Melayu | norsk bokmål | Nederlands | norsk | polski | português | português do Brasil | română | русский | sicilianu | slovenščina | српски / srpski | svenska | தமிழ் | ไทย | Türkçe | українська | Tiếng Việt | 粵語 | 中文 | 中文（简体）‎ | 中文（繁體）‎ | 中文（台灣）‎ | +/−. Profits reached 155 million Reichsmarks in 1942 (equivalent to €550,730,149 in 2009) and 175 million ℛℳ in 1943 (equivalent to €606,035,189 in 2009). The resulting concentration on a few large German film companies, which came together to unite production, distribution and presentation under one UFA's managers made severe miscalculations with regard to two large-scale productions, Nibelungen and Metropolis in 1924-1926.

This committee proceeded to have a direct influence on UFA's production planning; it also severely curtailed the work of production head Ernst Hugo Correll. In addition, as a result of the nationalist German spirit that already dominated the company, UFA was perfectly suited to serve the goals of National Socialist propaganda in film. All activities in the film industry were placed under strict licensing regulations and all films were subject to censorship. In order to prevent the sale of film rights belonging to the old UFA, the Friedrich Wilhelm Murnau Foundation was set up in Wiesbaden on the initiative of the German Federal Government and representatives of the film industry. This agency, however, was far too much under the influence of heavy industry and, in particular, of Alfred Hugenberg, chairman of Krupp. At this point, the UFA staff hierarchy was reorganized according to the Nazi Führer principle. Die UFA Serial Drama ist Spezialist für langlaufende, tägliche und wöchentliche Programm-Marken. Durch die weitere Nutzung der Website stimmen Sie der Verwendung von Cookies zu. The mission of UFA at the time of its founding was the production of films –feature films, documentaries, cultural films and weekly headline (newsreel) films – designed to function as propaganda for Germany abroad. 191 initially halted and prohibited all further film production. Due to security reasons we are not able to show or modify cookies from other domains. It is not to be confused with, Post-war period: Dissolution and Sovietization vs. re-privatization, Popular films from the 1920s to the 1940s, UFA had acquired the German rights for an early sound film system, Tri-Ergon, in 1924. Please be aware that this might heavily reduce the functionality and appearance of our site. In 1928, Erich Pommer was replaced as head of production by Ernst Hugo Correll, who led the company through the transition to talking pictures or "talkies." We fully respect if you want to refuse cookies but to avoid asking you again and again kindly allow us to store a cookie for that. UFA experienced a new commercial boom in the Nazi era, not least due to the government's protectionist measures, which freed the company from bothersome domestic and foreign competition, sometimes even incorporating their production facilities and staff (see also: National Socialist Film Policy). La Deutsche Bank réussit à faire réorienter la production vers le grand public via la Projektions-AG Union qui produit par exemple des comédies d' Ernst Lubitsch dès 1918. Otherwise you will be prompted again when opening a new browser window or new a tab. In 1926, the facilities were expanded by means of the construction of the largest studio hall in Europe at the time.

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