marente de moor

marente de moor

was published, and translated into German (Die niederländische Jungfrau, Suhrkamp Verlag). Egon is an enigmatic figure, as attractive and irresist­ible as Heathcliff, and Janna inevitably falls for him. Her highly praised debut novel De overtreder (The Transgressor) came out in 2007 and was published in German in 2010 by Suhrkamp Verlag, under the title Amsterdam und zurück. Phon is the tale of two lonely resilient people living on the very edge of a disrupted society and how Error rating book. In 2010 her second novel, the historical De Nederlandse maagd (The Dutch Maiden). Borders don’t really exist. 1972) worked as a correspondent in Saint Petersburg for a number of years and wrote a book based on her experiences, Peterburgse vertellingen (Petersburg Stories), which was published in 1999. to falter, Nadia is drawn into a battle with her own memories. Marente de Moor (b. After her return to the Netherlands she worked several years at the weekly HP/De Tijd. Je bijt er hooguit je tanden op stuk, verteren kun je het niet.”, Marente de Moor (b. Read 14 reviews from the world's largest community for r… distinctive and the way she conjures up the sultry, stormy atmosphere on the eve of (Querido, 2010, 297 pages). For her second novel, De Nederlandse maagd (‘The Dutch Maiden’, 2010) De Moor was awarded the AKO Literature Prize 2011 and the European Union Prize for Literature 2014. tectonic, Nadia and Lev reassure each other. In De overtreder (The Transgressor), Marente de Moor paints a compassionate picture of the world of East Europeans who ended up in Amsterdam in the 1990s, fumbling drunks and street vendors who spend the day in fine tales and vodka. Petersburgse vertellingen: Fragmenten van de Russische werkelijkheid, Literatuurprijzen Nederland en Vlaanderen. Voor kerst gaf hij me een beeld van een monnik, dat appelsap plaste als je op de kop duwde.”, “Misschien draait het leven in wat we kiezen te vertellen. Her columns about the absurdist Russian everyday life were collected and published as Petersburgse vertellingen in 1999. – The New York Times, The Dutch Maiden. imagination is the force that will sustain them. See if your friends have read any of Marente de Moor's books. In 2013, her third novel Roundhay, The Garden Scene was shortlisted for the Libris Prize for literature. Her natural metaphors come with animalistic power, her reflections are as clever as distinctive and the way she conjures up the sultry, stormy atmosphere on the eve of the Second World War testifies of a great story telling ability.’ Foon gaat, zoals alle goede literatuur óver verhalen, en over hoe mensen zich daartoe verhouden.

She made a successful debut as a novelist in 2007 with De overtreder (The Transgressor); the translation, Amsterdam und zurück, was well received in Germany too. ‘Marente de Moor weet je onafgebroken te verleiden om verder te lezen (…) haar blijk van een uiterst zelfverzekerd en krachtig schrijverschap draait in Foon op volle toeren.’ (Lodewijk Verduin, De Groene Amsterdammer) ‘Meer dan vakwerk. Mensen zonder verbeelding bieden zo'n keuze nooit, die vertellen niks, die houden er meningen op na.

Something meteorological, perhaps. Since 2009 she has worked as a weekly columnist for the political magazine Vrij Nederland. Nederlands Letterenfonds // Dutch Foundation for Literature post@letterenfonds.nl // Privacy statement. A Russian in Amsterdam is still a Russian. Sometimes it sounds like the blast of trumpets. the Second World War testifies of a great story telling ability.’ 1972) studied Slavonic Languages and lived in the 1990’ s in Russia, where she worked for both Russian and Dutch media. It must be something

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